EMILY ORTA
42x35x37 cm
55x37x35 cm
26x22x24 cm
36x39x41 cm
98x34x30 cm
49x49x21 cm
53x32x34 cm
115x39x27 cm
59x42x43 cm
58x38x42 cm
26x36x37 cm
49x39x44 cm
19x20x29 cm
45x34x37 cm
105x45x40cm
52x34x37 cm
Marseille, August - 2024
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Paris, November 2024
The title of the show conjures the artist’s sculptural process. Manipulation, invention and interpretation of the inanimate clay catalyses distinctive yet enigmatic forms that evolve from fleshy bacterial-like matter into raw animalistic subjects writhing in a state of flux before arriving into fully formed surrealist chimeras.
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London, March 2025
‘Attempting to plot a chronological journey brings us first to Emily Orte. Her ceramic creations seem to be inhabitants of ancient swamps, perhaps a short ancestral distance from the first multicellular forms.
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Brussels, April 2025
From different generations and backgrounds, both artists create lush work in vibrant colours. Stray limbs emerge from their compositions, blurring the lines of abstraction and figuration. Dwyer's broad brush strokes and mark-making, as if dancing with the canvas, mirror the way Orta likewise builds and glazes her sculptures with intense physicality and the whole of her body.
Les Moulins Sainte Marie, June 2025
Installation curated by the artist Emily Orta in her studio
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Feature work by Raphaëlle Bertran, Hamish Chapman, Craig Drennen, Sarah Dwyer, Sean Fader, Emily Orta, Rebecca Purdum, Emma Roche, BA Thomas, and Ryan Wilde.
@emlyorta
After a university exchange in fashion history and analog photography at the Fashion Institute of Technology in New York (2019), she earned a degree in Communication Art & Design from Nottingham Trent University (2021). This trajectory informs the development of a practice rooted in technical experimentation with the material and research centered on the body. These experiences shape an approach to ceramics that is both intuitive and experimental. She develops her own glazes and firing protocols to explore the material’s physical limits and achieve ambiguous textures.
Her sculptural practice unfolds through series conceived as fragments of a vital cycle, inviting a sensory contemplation of the metamorphoses of the living.
November 2024 - Janurary 2025
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